Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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GOLTZIUS, Hendrick
The Rich Kitchen dfg

ID: 06942

GOLTZIUS, Hendrick The Rich Kitchen dfg
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GOLTZIUS, Hendrick The Rich Kitchen dfg


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GOLTZIUS, Hendrick

Dutch Baroque Era Painter and Engraver, 1558-1617 Dutch draughtsman, printmaker, print publisher and painter. He was an important artist of the transitional period between the late 16th century and the early 17th, when the conception of art in the northern Netherlands was gradually changing. Goltzius was initially an exponent of Mannerism, with its strong idealization of subject and form. Together with the other two well-known Dutch Mannerists, Karel van Mander I and Cornelis Cornelisz. van Haarlem, he introduced the complex compositional schemes and exaggeratedly contorted figures of Bartholom?us Spranger to the northern Netherlands. These three artists are also supposed to have established an academy in Haarlem in the mid-1580s, but virtually nothing is known about this project. In 1590 Goltzius travelled to Italy, thereafter abandoning Spranger as a model and developing a late Renaissance style based on a broadly academic and classicizing approach. Later still, his art reflected the growing interest in naturalism that emerged in the northern Netherlands from c. 1600.   Related Paintings of GOLTZIUS, Hendrick :. | Dirck Volkertsz Coornhert sdg | Self-Portrait dg | Portrait of Sculptor Giambologna dg | Without Ceres and Bacchus, Venus would Freeze xdg | The Rich Kitchen dfg |
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stanley spencer
English painter and daughtsman. Spencer received his first formal training in 1907 at the Maidenhead Technical Institute, Berkshire. A year later he enrolled at the Slade School, London, where, as a day student nicknamed 'Cookham' by his fellow students, he remained until 1912. In that year his painting the Nativity (London, U. Coll.) was awarded both the Melville Nettleship and the Composition prizes. It shows the wide range of his early influences, from 15th-century Renaissance painting to the Pre-Raphaelites and Post-Impressionism: just as Gauguin's Yellow Christ (1889; Buffalo, NY, Albright-Knox A.G.) was set in Pont Aven, Spencer's similarly Neo-primitive Holy Family is placed in Mill Lane, Cookham. By then Spencer had firmly established his birthplace at the centre of his spiritual universe. He wrote, 'When I left the Slade and went back to Cookham, I entered a kind of earthly paradise. Everything seemed fresh and to belong to the morning. My ideas were beginning to unfold in fine order when along comes the war and smashes everything.'
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George Luks
August 13.1866-October 29.1933,American painter and draughtsman. He lived as a child in the mining town of Shenandoah, PA, but moved to Philadelphia in 1883. The facts of his early career were later confused by the wild stories fabricated by him. After a short stint in vaudeville, he spent a year at the Pennsylvania Academy of Fine Arts, Philadelphia. From 1885 he was in Europe, living most of the next decade in D?sseldorf, Munich, Paris and London, intermittently attending German and French art academies. In 1894 Luks became an artist-reporter for the Philadelphia Press, where he befriended Robert Henri, John Sloan, William J. Glackens and Everett Shinn.






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